Shivathandavam

The panel shows Shiva engaged in his cosmic dance called pradosha nritham or ananda thandavam. Shiva’s face is mostly lost, but seems to be white-skinned figure with 16 hands — 8 on each side — holding different weapons. On his right hand is the dwaja sthambam (or flagsttaff) with his mount Nandi the bull seated above it. He wears a green and red lower garment and tiger’s skin. One of the upper left hands hold a trishula (trident). He is surrounded by a prabhavali circle. On his feet is the apasmara bhootha who is lying curved over the prabhavalayam. He is green-skinned with fangs holding the tail of a serpent with his hand and head with his hands. Above the apasmara bhootham’s head is the figure of Bhringi, the dance master with three hands. He appears to the right of Shiva. There is Veerabhadra enjoying the dance at the topmost corner. His form is fierce. He is blue-skinned with three eyes (one eye on the forehhead); threeof his visible arms are holding weapons. His upper left hand holds a sword, right hand holds a shield and his lower left hand holds a trishulam (trident) which seem to be piercing a headless human body. There is an elephant on this right earlobe and a lion on his left. The bottom of the panel is mostly lost but to the left end is the figure of Vishnu playing the mizhaav. Ganesha and Subhramaniyan are also present, but their figures are faded. A silhouette of Subrahmaniyan’s mount the peacock can be seen. To the bottom right corner stands green-skinned Parvathy. There two white and one yellow figure, but it is faded, with no identifying marks.

Iconography

Primary Deity/Figure
Shiva
Secondary Figures
Apasmara bhootham, Bhringi, Ganapathi, Parvathi, Subrahmanya, Veerabhadra, Vishnu
Iconographic Form
Natarajan (Shiva as dancer)
Iconographic Attributes
White-skinned Shiva, face mostly lost; sixteen arms, eight on each side, each holding a different weapon; right hand holds a dwaja sthambam (flagstaff) with Nandi the bull seated atop it; one upper left hand holds a trishula (trident); wears a green and red lower garment with tiger skin; surrounded by a prabhavali circle; apasmara bhootha lies curved beneath his feet over the prabhavalayam, green-skinned with fangs, holding a serpent's tail in one hand and its head in the other; Bhringi, the three-armed dance master, appears above the apasmara bhootha's head to Shiva's right; Veerabhadra at the topmost corner, fierce, blue-skinned, three-eyed (one eye on the forehead), three visible arms holding weapons — sword in upper left hand, shield in right hand, trishulam in lower left hand appearing to pierce a headless human body; elephant on Veerabhadra's right earlobe, lion on his left; bottom of panel mostly lost; Vishnu playing the mizhaav at the left end; Ganesha and Subrahmanya also present but faded; silhouette of Subrahmanya's peacock mount visible; green-skinned Parvathi stands at the bottom right corner; two white and one yellow figure nearby, faded, with no identifying marks.
Rasa
Adbhuta

Spatial & Architectural

Zone within Temple
Sanctum
Position in Pradakshina Sequence
2
Adjacent Panels
Sreerama Pattabhishekam, Vishnu

Narrative

Textual Source
Non-narrative
Mythological Tale
Iconic cosmic-dance form. This is the Ananda Tandava, Shiva's cosmic dance of bliss, performed before the assembled gods and sages. The dance holds creation, preservation, and destruction within a single continuous motion — Shiva dances the universe into being, sustains it, and will one day dance it into dissolution. The dwarf figure crushed beneath his foot is Apasmara (Muyalaka), the demon of ignorance and forgetfulness, whose defeat represents the triumph of divine awareness over illusion. The assembly of witnesses — devas, sages, and family members including Ganesha and Subrahmanya situates the dance not as a private act but as a cosmic event, seen by the whole of creation. The mizhaav, played by the Vishnu depicts the local Keralaite influence.
Episode
Non-narrative

Condition & Documentation

Condition
Fair
Deterioration Type
Plaster loss
Restoration Status
Unrestored
Documentation Type
DSLR full panel
Permission Basis
Combined permission
Date of Documentation
12/08/2024
Artist
Unknown
Identifier
CMT_P002
Rights / Notes
These images may not be reproduced, redistributed, or used for commercial purposes without prior permission.